I am so excited! I was awarded the 2017 Ema Saikō Poetry Fellowship, which is a residency at the New Zealand Pacific Studio in the Wairarapa. I will be there for three weeks in November.
I’ll be working on a series of landscape poems which will take the form of text as well as mark-making and calligraphic work. These works will go towards a small hand printed chapbook which I will be printing with the team at MOTAT in early 2018 (all going well).
The fellowship is in honour of Ema Saikō, a Japanese poet, painter and calligrapher from the late Endo period. The picture on the right is a portrait she painted sourced from here.
I’d also like to acknowledge the fabulous poet and typographer Ya-wen Ho who was an Ema Saikō fellow last year.
So watch this space in November for some updates!!
So this is my initial design, well, it’s about the fourth design so far – but it’s the initial design before trying to set type with it.
I originally wanted to leave as many letters in the same place as in the NZ Printing Museum lay. But, in the end, having the ‘g’ so far away from the ‘n,’ just doesn’t make sense.
But I have kept the uppercase in alphabetical order.* And I have kept the vowels in place, and moved whatever was next to them to allow for the tōhuto (macron) version.
A wee quandary I am having about what to include, punctuation wise, is the ampersand. As someone who loves printing, is interested in typography, as well as someone who is interested in mark making and the forms of lines, I LOVE the ampersand. But is it needed in te reo Māori? There are so many ways of saying ‘and’ for different contexts, that a single ampersand doesn’t really cut it. And the ampersand is also a symbol for a whole word, rather than a sound. Perhaps it can be used in place of ‘me’ as ‘and’ or ‘with’ when listing? I’m not sure. Any thoughts from fluent speakers would be very welcome!!
* I wonder what order the alphabet would be in if it had been designed by Māori?